Music & Worship
Music from
With Christ Trust
Songs rooted in Scripture and conviction — worship, storytelling, and apologetics set to music. Every track is free to listen.
From the courthouse to the cornfield — He is King. A Red Dirt anthem about the absolute sovereignty of God. Every knee will bow. Every tongue will confess.
“That at the name of Jesus every knee should bow… and every tongue confess that Jesus Christ is Lord.”
Philippians 2:10–11 · NKJVThey expected a lion. They got a Lamb. Heavy, gritty riffs mixed with a message rooted in prophecy — the King who came to serve is coming to reign.
“He humbled Himself and became obedient to the point of death, even the death of the cross.”
Philippians 2:8 · NKJVThe shadows are long, but the Light is louder. Big synths, driving rhythms, and gated-reverb energy. A song about the silent war and the divine equipment we've been given to stand.
“Put on the whole armor of God, that you may be able to stand against the wiles of the devil.”
Ephesians 6:11 · NKJVPreparation never felt this good. My wife's favorite. The before-the-battle song — the joy of putting on the Armor not out of fear, but because we already know who wins.
Every step is leading me back home. A Musical Romans Road — walking from Romans 3:23 all the way to 10:9. How God takes brokenness and makes a masterpiece.
“For all have sinned… that if you confess with your mouth the Lord Jesus… you will be saved.”
Romans 3:23 & 10:9 · NKJVWhat if Puff wasn't waiting for play, but for justice? A cinematic folk ballad about grief, vengeance, and the weight of love and loss. A dragon lives forever… but a boy is but a spark.
If He had only done one thing — it would have been enough. A Passover song of gratitude, blessing upon blessing, grace upon grace.
Vocals created from sampling Walton Taylor's voice. The parable of the tenants — the stone the builders rejected has become the Cornerstone of a brand new day.
“The stone which the builders rejected has become the chief cornerstone.”
Psalm 118:22 · NKJVThis concept album was created as part of a songwriting journey built around the events of Holy Week from Palm Sunday through Resurrection Sunday. Each piece explores the emotional, theological, and human tension surrounding the final days of Christ's earthly ministry through cinematic storytelling, worship, folk, rock, and liturgical influence.
A reflective country-gospel anthem opening Holy Week with celebration shadowed by coming sacrifice. Captures the tension between the crowd's cries of Hosanna and Christ's full knowledge of the cross ahead. The King rides willingly toward suffering.
A hard-hitting cinematic rock anthem inspired by Christ cleansing the temple courts. Driven by righteous fury rather than violence, Jesus is presented not as a passive observer but as holy fire walking among corruption. Judgment, worship, and purification collide in a storm of distorted guitars and prophetic intensity.
A driving folk-rock meditation on Christ's Tuesday teachings during Holy Week. Drawing from the Parables of the Virgins and the Talents, the song examines truth, accountability, and spiritual readiness while tension quietly builds beneath the surface. The warnings are spoken openly, yet many still fail to hear.
A dark cinematic folk piece centered on Judas' betrayal and the secret negotiations behind the scenes. Built around restrained tension and measured dialogue, the song explores how betrayal often arrives not in chaos, but in quiet calculation. Every silver coin carries the weight of prophecy and human weakness.
A solemn and intimate reflection on the Last Supper. Bread is broken, the cup is raised, and the disciples struggle to understand the weight of what is unfolding around them. The song captures the fragile stillness before Gethsemane and the sorrow hidden beneath covenant language.
“This is My body which is given for you; do this in remembrance of Me.”
Luke 22:19 · NKJVA deeply emotional lament centered on Christ's prayer in Gethsemane and Peter's coming denial. The song moves through exhaustion, fear, surrender, and abandonment as the disciples fail to remain awake during humanity's darkest hour. Minimal resolution allows the grief and tension to remain unresolved moving into Friday.
“Not My will, but Yours, be done.”
Luke 22:42 · NKJVA restrained cinematic meditation on the crucifixion. Rather than triumphant celebration, the song remains fixed in the confusion and sorrow experienced by those standing beneath the cross. The torn veil, trembling earth, and final breath point toward redemption not yet fully understood.
“And the veil of the temple was torn in two from top to bottom.”
Mark 15:38 · NKJVA quiet song of waiting, grief, and uncertainty. The disciples wrestle with shattered expectations while silence hangs over the tomb. Beneath the stillness, unseen movement begins as the foundations of death itself start to tremble. The song intentionally refuses musical resolution, preserving the tension between burial and resurrection.
An early-morning reflection on the empty tomb and the disciples' struggle to comprehend what has happened. The stone is rolled away, yet faith still wrestles with confusion and fear. Victory has begun, but understanding arrives slowly as hope awakens in fragments.
“He is not here; for He is risen, as He said. Come, see the place where the Lord lay.”
Matthew 28:6 · NKJVThe full resolution of the Holy Week project. Through Mary Magdalene, the road to Emmaus, and Christ appearing to the disciples, the song reveals resurrection through the recognition of His voice and His Word. Themes introduced throughout the album finally resolve in worship, revelation, and renewed life.
“And their eyes were opened and they knew Him.”
Luke 24:31 · NKJVHyperactive vocal delivery over glitch punk chaos. A commentary on internet debate culture — where the comment section never stops rising and nobody wins.
Hey! Ho! Let's Go! The true story of Nimrod — mighty hunter king — reduced to a cartoon insult. A punk track about how meaning gets lost across centuries.
A logic and fallacy teaching song with shanty energy. Claim, premise, evidence — and a complete tour of every logical fallacy in the book. Use your brain and shine that light.
Why did you waste my time? Statements are cool. Arguments are better. A rap metal beatdown on undisciplined debate and the lazy appeal to authority. P1. P2. Then we'll see.
Apostle Paul vs. Muhammad — a theological rap battle. Round by round, scripture by scripture, the resurrection on trial. Rage isn't evidence. An empty grave is.
Dismantling the tactic of hiding behind Arabic linguistics whenever the plain text of the Quran is challenged. Keep dancing, Dawah Boy. The dictionary's running out of pages.
A U.S. Air Force veteran, former educator, and lifelong student of Scripture — Walton Taylor creates across genres with one goal: to point every listener toward Jesus Christ. Based in Polk County, Florida, he leads With Christ Trust alongside his wife Dee.
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